Steven Adler Biography

July 29, 2010 in Music News by Jerrbear

The story of Steven Adler’s life as a member of Guns N Roses, one of rock and roll’s most volatile, decadent and out of control bands, is both terrifying and awe-inspiring. His new book, My Appetite For Destruction: Sex and Drugs and Guns N’ Roses, due for release July 27th, really hits home–but not for being a thrill-inducing rock and roll story. Actually it’s just the opposite. Adler’s candor and self-reflection make this book a different kind of rock star memoir entirely.

Steven Adler absolutely doesn’t try to pretty up his story; there’s no attempt to make himself look heroic or, as so often happens in rock star biographies, victimized. Adler puts aside his own ego to tell a story that is bitingly poignant in its brutal honesty.

Adler also proves that sometimes coming clean is the harder part of getting clean. Something he does well in My Appetite For Destruction. At times you feel distinctly, painfully, the breakdown, the regrets, the realization of all that was lost.

Steven opens up with an admission that he had locked himself away in his trailer to do drugs directly after opening for the Rolling Stones in 1989; his dreams had finally come true, but he was in no shape to enjoy it. He couldn’t walk around backstage, meeting, greeting, basking in the amazing, historic moment — the drugs were calling, and he had to answer. It was just one of those moments that he can’t take back; he’ll never get a chance to do it over. It’s the kind of regret that will haunt him forever after.

In the band Guns N Roses you had five men whose dreams all came true, but the joy in their rise to fame was finished before it had begun, lost in the pursuit of the next fix.

They were living in a fog of heroin, cocaine, alcohol and women that never allowed them to really feel what was happening to them, the highs and lows muted by drugs — except Axl Rose, of course, who had an affliction of his own which, rather than forcing him to get control of his manic abusiveness, acted as a license to further brutalize his bandmates, and Steven in particular.
Being the youngest and most insecure of the group, Steven seemed to generate a specific attention from Rose, much as the schoolyard bully will hone in on the kid he believes is the weakest on the playground, and particularly if he knows that no one will come to that kid’s defense.

The glowering burn of Axl’s hatred, although it eventually extended to every member of the band, began with Steven and finally culminated in Adler’s humiliating eviction from the band.

The rest of the band just shuffled on in true rock and roll style, stepping over the body of yet another fallen comrade. Guns N Roses had to make a choice and they could not be Guns N Roses without Axl’s distinct vocals. They all seemed to realize that Axl’s was a war of attrition–and he was determined to outlast them all. And he did. He claimed ownership of the band’s name and began touring with Guns N Roses, as the only original member.

And yet…

In telling the story of his life, sharing his years in the world’s most glamorized and volatile rock band, Steven Adler never seems to lose that part of himself that seemed to make him a target for Axl’s wrath, his boyish enthusiasm, his pure joy in traveling and meeting people who he admired. He was, and is, first and foremost a rock music fan.

Steven comes clean on everything — from emotional, physical and sexual abuse to sharing groupies. He shares his hurt, confusion and anger over seeing his dreams devastated, but he holds himself as responsible for that as anyone else. Only after reading can you truly understand that holding a grudge just would not be a part Steven Adler’s nature.

In many cases I wouldn’t blame him for harboring resentments, but he seems to be able to step back from the situation and look at it with maturity and a positive attitude. Even in the face of Axl’s abuse and Slash’s betrayal, he regards his former bandmates in a brotherly fashion, five men who shared an amazing experience, an unbreakable bond that Steven feels should never be let go lightly.My Appetite For Destruction: Sex and Drugs and Guns N’ Roses is a book that should be read by fans of the band and anyone planning to go into the music business. Adler talks about the people who supported the band, who helped them along the road to success, who were thrown by the way-side as the band climbed the ladder to fame. Those who took advantage of their enthusiasm and naivete He shares the stories of his friendships with other rock stars and growing up with Slash; two neighborhood kids raised by their grandmothers who had two things in common, they couldn’t stay out trouble, and they wanted to be rock stars.

He also discusses Axl and others whose need to control the band finally destroyed them. And those rock stars that he had admired who betrayed his youthful adoration. He talks about the bands he met along the way, Motley Crue, Poison, Alice Cooper, Aerosmith and others.

Steven suffered a stroke and many relapses before wrestling his demons into submission. He talks about his rehab attempts and failures, and finally, meeting his wife and finding a support network of people who love him just as he is, and just as it should be.

http://blogcritics.org/books/article/book-review-my-appetite-for-destruction/#ixzz0uhsj33bj

SLASH Says MYLES KENNEDY ‘Turned Down’ VELVET REVOLVER Singer Gig

July 28, 2010 in Music News by Jerrbear

Jon Wiederhorn of AOL‘s Noisecreep recently conducted an interview with legendary guitarist Slash (VELVET REVOLVER, GUNS N’ ROSES). A couple of excerpts from the chat follow below.

On the June 10 incident when he was nearly tackled by a man who had climbed onstage during Slash‘s performance in Milan, Italy:

Slash: I got hit, but I didn’t get tackled. After the security guard broadsided the guy, he bounced into me. But had the security guy not jumped in, the velocity that this guy was coming in with, he would have taken me over the stage, and that would have been a drag because the stage was pretty high up. But luckily, that’s not what happened. So I just continued playing and it was one of the best shows on the tour. I’m a rock guy. This kind of shit goes with the territory.

Noisecreep: After you get back from Australia, you’re launching a U.S. tour in September. Will Myles Kennedy be doing all the vocal parts for you?

Slash: He’s been great. He’s got a great voice. He’s one of the most fantastic rock singers and he’s a great guy. It’s a lot of fun to tour with him. The band sounds amazing.

Noisecreep: Any chance he’ll become the next singer for VELVET REVOLVER?

Slash: No, he’s already got a band, ALTER BRIDGE, and he’s not leaving. We offered him to sing in VELVET a year ago, but he turned it down then. So we’re still looking for a singer. As soon as we establish the singer, we’ll be able to set the time to actually go in and start working on the record. We’ve held a bunch of auditions, we just haven’t found the right guy yet. We stopped for the tour, but we’ve been listening to demos from different singers. But right now I can’t say there’s someone who we’re leaning towards. We haven’t found that guy yet.

Noisecreep: Have you written songs for the next VELVET REVOLVER album?

Slash: When we came back off the tour after Scott left we came back in and wrote half a dozen or more really cool songs. It’s really heavy stuff and I think it could be the best VELVET REVOLVER album yet.

Noisecreep: You’ve got a new guitar coming out through Gibson, the Appetite.

Slash: Yeah, I played it recently. I was on tour in Europe and I played it through my own rig so I could check it out and approve the prototype. And I was floored at how great the guitar sounds and plays. And if you look at the specs they’re almost identical to the U.S.A. model. So it’s very satisfying to me that the guitar is reasonably priced, yet you get as much quality out of it as you get from the higher priced models. So it’s sort of a steal. I feel that anybody who picks it up, from a beginner to a pro, it’s something that will do the job perfectly and last for a very long time.

Noisecreep: Why call it “Appetite?”

Slash: It’s a replica of the guitar I used to record “Appetite for Destruction” and really every record since then, including the record I just did, for which I used this guitar in its entirety. That’s where the Appetite name came from. There were a lot of diehard fans that were really in key on the guitar that I used on that record because it has such an iconic status at this point. That guitar sound seems to be appreciated by a lot of guitar enthusiasts. So this guitar is really a replica of that guitar.

Read the entire interview from Noisecreep.

STONE TEMPLE PILOTS: New Tour Dates Announced

July 28, 2010 in Music News by Jerrbear

STONE TEMPLE PILOTS have just announced another month of dates for their fall 2010 tour. The details are as follows:

Sep. 16 – San Diego, CA – Vieja Arena
Sep. 17 – Tempe, AZ – Tempe Beach Park
Sep. 19 – Spring, TX – Cynthia Woods Mitchell Pavilion
Sep. 21 – El Paso, TX – El Paso County Coliseum
Sep. 22 – Lubbock, TX – Lonestar Amphitheater
Sep. 24 – Thackerville, OK – WinStar Casino
Sep. 25 – Bee Cave, TX – The Backyard
Sep. 27 – Corpus Christi, TX – Concrete Street Amphitheatre
Sep. 29 – Tulsa, OK – Brady Theater
Sep. 30 – Saint Charles, MO – Family Arena
Oct. 02 – Simpsonville, SC – Heritage Park Amphitheatre
Oct. 03 – Alpharetta, GA – Verizon Wireless Amphitheatre @ Encore Park
Oct. 05 – Raleigh, NC – Raleigh Amphitheatre
Oct. 06 – Charlotte, NC – Road Runner Mobile Amphitheatre
Oct. 08 – Tampa, FL – St Pete Times Forum
Oct. 09 – Orlando, FL – UCF Arena
Oct. 12 – Hollywood, FL – Seminole Hard Rock Hotel & Casino
Oct. 13 – Estero, FL – Germain Arena
Oct. 16 – Pensacola, FL – Santa Rosa Beach

When fans purchase their tickets through Ticketmaster, they will receive a free download of “Stone Temple Pilots Live in Chicago”.

As previously reported, STONE TEMPLE PILOTS will perform on the Thursday, July 29 edition of “The Tonight Show With Jay Leno” on NBC-TV.

“The Tonight Show” airs weeknights at 11:35 p.m. EST. Check local listings for details.

JVC America recently uploaded a live performance music video of STONE TEMPLE PILOTS‘ new single, “Between The Lines”, recorded on May 18, 2010 at the Gramercy Theatre in New York City. The clip, which was directed by Chapman Baehler, can be viewed below.

STONE TEMPLE PILOTS‘ new self-titled album sold 62,000 copies in the United States in its first week of release to debut at No. 2 on this week’s The Billboard 200 chart.

“Stone Temple Pilots” marks the sixth top 10 for the band — its entire output of studio albums. Only its greatest hits package “Thank You” missed the top 10 (No. 26 in 2003).

The group’s self-titled sixth album is its first all-new effort since 2001′s “Shangri-La-Dee-Da”.

STONE TEMPLE PILOTS reunited in 2008 after a six-year layoff.

JOE ELLIOTT’s DOWN ‘N OUTZ Gets Shut Down At U.K.’s HIGH VOLTAGE Festival (Video)

July 28, 2010 in Music News by Jerrbear

EMERSON, LAKE & PALMER‘s crew allegedly pulled the plug on DOWN ‘N OUTZ‘s High Voltage festival performance on Sunday, July 25 at Victoria Park in London, U.K. after the Joe Elliott-fronted band apparently went over its allotted time at the event.

According to a report on the Planet Rock web site, DOWN ‘N OUTZ — a project fronted by Elliott, backed by THE QUIREBOYS and playing rare tracks connected only by MOTT THE HOOPLE — was joined by MOTT THE HOOPLE legend Ian Hunter for two songs (“Once Bitten Twice Shy” and “Who Do You Love”) at the end of its set on the main stage. “As soon as ‘Who Do You Love’ ended, a voice not belonging to anyone from the band came over the PA to say thanks for listening to the DOWN ‘N OUTZ, and no one was more surprised than the band,” states the report. “The mics were cut and there was a mild kerfuffle side stage as the band remonstrated that they needed to keep playing.”

Legendary rock photographer Ross Halfin, who was working at the event, described the situation in the following way in his online diary: “Shot the end of Joe‘s set and was just getting into Ian Hunter when the power was pulled after two songs by ELP [who were scheduled to headline the main stage later that night]. Now if I was to say the situation was ugly that is an understatement. Joe Elliott and Ian Hunter got into an altercation with ELP‘s crew, fists flying. It ruined the whole day, a real bad ’70s thug-like atmosphere. Jimmy [Page] and I went in to see Ian and offer our support and Joe was pragmatic, ‘Fuck it, what can you do?’”

Fan-filmed video footage of the end of DOWN ‘N OUTZ‘s set at High Voltage can be viewed below.

BUCKCHERRY Answers Fan-Submitted Questions

July 28, 2010 in Music News by Jerrbear

Live Nation recently sat down with BUCKCHERRY guitarist Keith Nelson and vocalist Josh Todd to get a number of fan-submitted questions answered. The resulting question-and-answer session can be viewed below.

BUCKCHERRY‘s new album, “All Night Long”, arrives on August 3 and the first 20,000 fans to pick up a copy at Best Buy will find something extra in the package — a six-song acoustic EP containing five tracks that have never been heard before. Keith Nelson told The Pulse of Radio how this came out. “What a lot of people don’t know about this record is that it started off as an acoustic record,” he said ” As we progressed, it became pretty evident that it wasn’t gonna be an acoustic record, it was gonna be a full-on electric rock ‘n’ roll record. But I could not let go of the idea of some of these songs that we had, so what we did while we were in there is we finished some of those songs acoustically and we recorded them.”

Included in the EP will be four brand new songs recorded during the “All Night Long” sessions, an acoustic version of the album track “These Things”, and the song “Black Butterfly”, which was left off the band’s 2008 album of the same name.

The EP will be titled “Reckless Sons” and will come with special artwork and packaging.

“Reckless Sons” EP track listing:

01. These Things
02. Fire Off Your Guns
03. Black Butterfly
04. King of Kings
05. My Friend
06. Grace

You can pre-order this special edition of “All Night Long” featuring the “Reckless Sons” EP at this location.

“All Night Long” is now available for streaming in its entirety at this location.

BUCKCHERRY will support NICKELBACK on the next U.S. leg of the “Dark Horse World Tour” in September/October. Also scheduled to appear on the bill is THREE DAYS GRACE. The trek, produced by Live Nation, will begin on September 14 in Nashville and will run through October 30 in Las Vegas.

BUCKCHERRY will guest on the nationally syndicated radio show “Rockline” with host Bob Coburn on Monday, August 2 at 8:30 p.m. PT / 11:30 p.m. ET. Fans are encouraged to speak with BUCKCHERRY by calling 1-800-344-ROCK (7625).

QUEENSRŸCHE Brings Cabaret Show To Las Vegas

July 28, 2010 in Music News by Jerrbear

Fan-filmed video footage of Seattle progressive rockers QUEENSRŸCHE performing the song “Another Rainy Night (Without You)” on July 24, 2010 at the Crown Theater in Las Vegas, Nevada as part of the band’s current Queensrÿche Cabaret tour can be viewed below.

A review of the concert is available at Examiner.com.

QUEENSRŸCHE‘s Queensrÿche Cabaret tour is being filmed for future DVD release. The trek, which kicked off last Thursday, was previously described by the group as “Teatro ZinZanni meets Cirque du Soleil, with the band performing their hits and never-heard-before selections accompanied by go-go dancers, burlesque dancers, drag queens, a juggler, ballet dancer, trapeze artist, a contortionist and others. Definitely a fun-filled evening like no other full of freaks and shrieks!”

In a recent interview with the Las Vegas Review-Journal, singer Geoff Tate stated about QUEENSRŸCHE‘s upcoming album, set for release in 2011, “It’s a progression away from where we’ve been — into some new territories. [It's a] very modern approach to what we do — modernizing our sound a bit more. . . It’s kind of a modern approach to song arrangement — utilizing different sound effects and sounds sources; playing the instruments in a different way than what we have before; really experimenting a lot with the structure of rhythm and bringing it into what’s modern.

“Next year is our 30th anniversary. We’ve done a lot of different kinds of records at different times. We’re definitely trying to make a record of the time, rather than something of a different time. How’s that for vague?”

QUEENSRŸCHE‘s twelfth studio LP, the epic concept album “American Soldier”, was made available from Atco/Rhino in March 2009 for a suggested list price of $18.98 (CD) and $9.99 (digital). The ambitious album encompasses a dozen songs inspired by numerous interviews with veterans conducted by Geoff Tate, the group’s singer and chief songwriter, who was intent on telling their story using their words. After speaking with soldiers who served in various conflicts — from World War II to Iraq — Tate turned their firsthand experiences from the frontlines into an unflinching musical examination of the life of a solider and the consequences of war.

ROB ZOMBIE Slams OZZY OSBOURNE For Stealing Musicians (Video)

July 28, 2010 in Music News by Jerrbear

Rob Zombie has spent the last few months touring in support of his latest album, “Hellbilly Deluxe 2″, and when his drummer, Tommy Clufetos, left to join Ozzy Osbourne‘s band, SLIPKNOT‘s Joey Jordison jumped in. Jordison took time away from his sleaze-punk band MURDERDOLLS to play with Zombie who was in a lurch left by Clufetos‘ departure.

This isn’t the first time Ozzy has hired one of Rob‘s bandmates — in 2006, Ozzy lured Zombie bassist Rob “Blasko” Nicholson away to join Osbourne‘s band.

The Artisan News Service asked Zombie backstage at the Rockstar Energy Drink Mayhem Festival what he thought of Ozzy poaching important members of Rob‘s band.

“I think there’s ways to do things and I think there’s ways to not do things and I think the way they’ve chosen to do things is not how I would do things; I think it’s kind of rude,” Rob replied. “I mean, if my guys that I have wanna go play with other people, that’s fine; I don’t own them. But I think there’s ways to do things in a respectful way and there’s ways to just be shitty, and I feel that the way things have gone down lately has been pretty shitty. But whatever… What comes around goes around. But I’m just happy because every time I’ve lost somebody, I’ve gotten somebody ten times better, so I’m thankful for that. So if somebody’s band wants to be made up of my cast-offs, enjoy.”

Zombie told the Artisan News Service that it wasn’t the first time he’s said it, but he feels that the band he currently has is the closest one he’s been in.

“That’s totally true,” Rob said. “I mean, I love these guys. I thought the drummer I had before [Tommy Clufetos] was a good guy, but you find out some people are just phony. But the greatest thing that ever happened was him hitting the road and Joey coming in and replacing him, ’cause it’s always great to replace somebody with a better drummer. But it’s not just that — it’s just the vibe and the person and everything about, really… I don’t know. It’s hard to explain. It was the perfect personality to come in and make the four of us work.”

Video footage of Rob Zombie making the above-mentione remarks to the Artisan News Service can be viewed below.

In a recent interview with Stefanie Heminger, Clufetos stated about his decision to switch from Rob Zombie to Ozzy Osbourne, “Ozzy called me to join his band, and how could I say ‘No’ to Ozzy Osbourne? It’s the pinnacle, so that’s why I did it.”

When asked if he was still really good friends with Rob and whether Zombie understood Tommy‘s decision to join Ozzy‘s band, Clufetos said, “I hope so. I haven’t spoken to anybody since I left the band, but I wish everybody the best. Rob was great to me when I was there. I’ve learnt something through everybody I’ve worked with and had the greatest time of my life at that moment and tried to enjoy it to its fullest, and I’ve always done that, and this [playing with Ozzy] is just another level of that.”

Ozzy and Zombie collaborated on a song titled “Iron Head” for Rob‘s 2001 album “The Sinister Urge”. Zombie also directed the video for “Dreamer”, a track from Ozzy‘s 2001 CD “Down To Earth”.

As previously reported, Zombie has recorded three brand new songs for the upcoming CD/DVD re-release of his latest album, “Hellbilly Deluxe 2″, which is due out on September 28. The tracks will be the first recorded with Zombie‘s current touring band, which includes Jordison. A bonus DVD featuring live footage and a 30-minute touring documentary, titled “Transylvanian Transmissions”, will also be included.

The three new songs are “Devil’s Hole Girls And The Big Revolution”, “Everything Is Boring” and “Michael”. Also included will be a reworked version of the track “The Man Who Laughs”.

ROB ZOMBIE, ALICE COOPER and MURDERDOLLS will join forces for the “Halloween Hootenanny” tour in September and October, with dates and cities yet to be announced.

METALLICA’s ‘Death Magnetic’ Certified Double Platinum In U.S.

July 22, 2010 in Music News by Jerrbear

METALLICA‘s latest album, “Death Magnetic”, was officially certified double platinum by the Recording Industry Association of America (RIAA) on June 28, 2010 for shipments in the United States in excess of two million copies.

METALLICA drummer Lars Ulrich told The Pulse of Radio in an October 2008 interview that he didn’t understand the controversy that had broken out over the audio quality of “Death Magnetic” shortly after the LP’s release. Some fans and publications had accused the group and producer Rick Rubin of mixing the album at such a loud volume that the music is distorted and difficult to listen to. But Ulrich said that he’s more than happy with the way it turned out. “I listen to this record, and I listen to it every couple of days,” he said. “And when I hear it, it puts a smile on my face and it blows me away, and I don’t understand what people are talking about. Somebody told me the other day that there were 12,000 people that had signed a petition to remix the record. We’ve sold two and a half million copies [worldwide] of ‘Death Magnetic’. You do the math yourself.”

A number of fans said online that they prefer the versions of the CD’s tracks prepared for the Guitar Hero video game, which are mixed differently.

Ted Jensen, the engineer who mastered the album at Sterling Sound in New York, responded to fan complaints that the CD is too loud and the audio is pushed to distortion levels by writing, “I’m certainly sympathetic to your reaction, I get to slam my head against that brick wall every day. In this case the mixes were already brick-walled before they arrived at my place. Suffice to say I would never be pushed to overdrive things as far as they are here. Believe me, I’m not proud to be associated with this one, and we can only hope that some good will come from this in some form of backlash against volume above all else.”

Mastering is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device, the “master,” from which all copies will be produced.

Blame for the sound quality has been laid at the feet of the band itself, producer Rick Rubin and his recording engineer, Greg Fidelman.

METALLICA will end the “Death Magnetic” world tour later this fall with shows in Australia and New Zealand before taking a break.

METALLICA Fan Who Helped Bring Band To Christchurch Misses Out On Ticket

July 19, 2010 in Music News by Jerrbear

Stuff.co.nz reports: The Blenheim [New Zealand] man whose petition helped bring rock legends METALLICA to Christchurch is “absolutely slaughtered” that he missed out on a ticket.

Jamie Woods said he could not get to Christchurch last Thursday to get door sales, and he was not fast enough to pick up a ticket on the Internet.

“I’m absolutely slaughtered … but I’m resigned to the fact I’m not going,” he said.

“In the end I got what I wanted, that was for them to come down. I hope everyone else is happy, the lucky buggers.”

Read the entire report from Stuff.co.nz.

SMASHING PUMPKINS’ CORGAN: ‘I’m Not Gonna Be In A Band With People Who Don’t Like Me’

July 19, 2010 in Music News by Jerrbear

The Smashing Pumpkins on May 24, 2007, at den Atelier, Luxembourg.

Andy Greene of RollingStone.com recently conducted an interview with SMASHING PUMPKINS mainman Billy Corgan. A couple of excerpts from the chat follow below.

RollingStone.com: Why are you releasing individual tracks online as opposed to cutting an entire album?

Corgan: It really harkens back to the early days of rock and roll. You’re as good as your last song and I’m kind of OK with that. Right now, everybody likes my new song, and the next one they’ll fucking hate, you know? One day I’m an idiot and one day I’m a genius. And I’ve been both and I’m probably somewhere in the middle. I’m probably just a pretty good musician.

What we’re aiming for now is just perpetual presence. I believe this is going to be the new way. From an artistic standpoint, I think it’s actually more interesting because you’re in that constant kinetic back and forth like you were when you were younger, in a club. The corporate rock thing that was imposed, particularly over the last 30 years, is very counterintuitive to creativity. You go in some dark room for a year, you’re supposed to produce some masterpiece, then go out and tour it until you exhaust every potential person who wants to see it, and then after you come off of that, you’re supposed to wring yourself out and do it all over again. That just doesn’t work.

RollingStone.com: Were you happy with the response to the last PUMPKINS record?

Corgan: That album sold over 500,000 copies, it went gold. But people didn’t listen to it. Now, is it the best album I’ve ever done? No. But I could tell that people weren’t listening to the album. In the past if you put out an album, people at least knew the first song. We would go out and play the first song and I could tell they had not even listened to the first song. I don’t view it as a gross disappointment. It’s disappointing to me that what I was trying to communicate didn’t get the chance to be communicated. It’s remarkable to me that things can come and go and people don’t even know they happened. When the HOODOO GURUS had an album, at least I knew they had an album out. Now I go to the shop and I go, “Oh! This favorite band of mine put out an album?” I didn’t even fucking know! Because I didn’t look at the right website.

RollingStone.com: A lot of fans are very focused on the original lineup.

Corgan: In that lineup you had two people who could play with a high level of musicianship, and two people who couldn’t. And somehow that worked. James [Iha] and D’arcy and Jimmy [Chamberlain]… fascinating people. Jimmy, world-class drummer. James, very creative when he wanted to be. D’arcy had a really incredible intuitive sense. But that band was not built to last. Believe me, if that band had anything left in it, not only would I do it because it would be creatively interesting, but it would be incredibly financially lucrative. People say, “Well come on, just shake hands backstage and ride in separate buses.” Part of my being and spiritual person is, I’m not gonna be in a band with people who don’t like me.

Read the entire interview from RollingStone.com.